National Society of Film Critics Awards 2019

El 4 de Enero, The National Society of Film Critics, anunció los ganadores a sus premios. En la lista en primer lugar el ganador, seguido de los dos finalistas, junto al número de votos recibido.

MEJOR PELÍCULA *1. Parasite – 44
Little Women – 27
Once Upon a Time . . . in Hollywood – 22

MEJOR DIRECTOR *1. Greta Gerwig (Little Women) – 39
Bong Joon Ho (Parasite) – 36
Martin Scorsese (The Irishman) – 31

MEJOR ACTOR *1. Antonio Banderas (Pain and Glory) – 69
Adam Driver (Marriage Story) – 43
Adam Sandler (Uncut Gems) – 41

MEJOR ACTRIZ *1. Mary Kay Place (Diane) – 40
Zhao Tao (Ash Is Purest White) – 28
Florence Pugh (Midsommar) – 25

MEJOR ACTOR REPARTO *1. Brad Pitt (Once Upon a Time . . . in Hollywood) – 64
Joe Pesci (The Irishman) – 30
Wesley Snipes (Dolemite Is My Name) and Song Kang Ho (Parasite) – 18 [TIE]

MEJOR ACTRIZ REPARTO *1. Laura Dern (Marriage Story, Little Women) – 57
Florence Pugh (Little Women) – 44
Jennifer Lopez (Hustlers) – 26

MEJOR DOCUMENTAL *1. Honeyland – 33
American Factory -28
Apollo 11 – 27

MEJOR GUIÓN *1. Bong Joon Ho and Han Jin Won (Parasite) – 37
Quentin Tarantino (Once Upon a Time . . . in Hollywood) – 34
Greta Gerwig (Little Women) – 33

MEJOR FOTOGRAFÍA *1. Claire Mathon (Portrait of a Lady on Fire, Atlantics) – 41
Robert Richardson (Once Upon a Time . . . in Hollywood) – 29
Yorick Le Saux (Little Women) – 22

FILM HERITAGE AWARD
“Private Lives, Public Spaces” at the Museum of Modern Art: Curated by Ron Magliozzi, this exhibit makes visible MOMA’s collection of over one hundred years of vernacular moving images, most of them home movies by the famous and the unknown. Shown on multiple screens in the lobbies of MoMA’s Titus theaters, they form a crazy quilt of personal and cultural history.

Rialto Pictures: We honor Rialto Pictures, in its 22nd year, both for distributing 4K restorations of beloved classics like Kind Hearts and Coronets and for presenting neglected work by international masters, such as Federico Fellini’s The White Sheik, and, for the first time, the uncut version of Francesco Rosi’s Christ Stopped at Eboli, with restored prints and upgraded subtitles.

SPECIAL CITATION for a film awaiting U.S. distribution:

BEST EXPERIMENTAL FILM TBA