National Society of Film Critics Awards 2021
El 8 de Enero, The National Society of Film Critics, anunció los ganadores a sus premios. En la lista en primer lugar el ganador, seguido de los dos finalistas, junto al número de votos recibido.
MEJOR PELÍCULA – DRIVE MY CAR (48 points)
PETITE MAMAN (25 points)
THE POWER OF THE DOG (23 points)
MEJOR DIRECTOR – Ryusuke Hamaguchi, DRIVE MY CAR and WHEEL OF FORTUNE AND FANTASY (46 points)
Jane Campion, THE POWER OF THE DOG (36 points)
Céline Sciamma, PETITE MAMAN (28 points)
MEJOR PELÍCULA EN LENGUA EXTRANJERA – Según sus normas al ganar mejor película una película de lengua extranjera, no se vota esta categoría.
MEJOR ACTOR – Hidetoshi Nishijima, DRIVE MY CAR (63 points)
Benedict Cumberbatch, THE POWER OF THE DOG (44 points)
Simon Rex, RED ROCKET (30 points)
MEJOR ACTRIZ – Penélope Cruz, PARALLEL MOTHERS (55 points)
Renate Reinsve, THE WORST PERSON IN THE WORLD (42 points)
Alana Haim, LICORICE PIZZA (32 points)
MEJOR ACTOR REPARTO – Anders Danielsen Lie, THE WORST PERSON IN THE WORLD (54 points)
Vincent Lindon, TITANE (33 points)
Mike Faist, WEST SIDE STORY, and Kodi Smit-McPhee, THE POWER OF THE DOG (26 points)
MEJOR ACTRIZ REPARTO – Ruth Negga, PASSING (46 points)
Ariana DeBose, WEST SIDE STORY (22 points)
Jessie Buckley, THE LOST DAUGHTER (21 points)
MEJOR DOCUMENTAL – FLEE (41 points)
PROCESSION and THE VELVET UNDERGROUND (28 points)
MEJOR GUIÓN – Ryusuke Hamaguchi and Takamasa Oe, DRIVE MY CAR (46 points)
Pedro Almodóvar, PARALLEL MOTHERS (22 points)
Paul Thomas Anderson, LICORICE PIZZA (20 points)
MEJOR FOTOGRAFÍA – Andrew Droz Palermo, THE GREEN KNIGHT (52 points)
Ari Wegner, THE POWER OF THE DOG (40 points)
Sayombhu Mukdeeprom, MEMORIA (35 points)
FILM HERITAGE AWARD
– Maya Cade for the Black Film Archive, which expands knowledge of and access to Black films made between 1915 and 1979, and includes her critical essays that define the project and consider the films in relation to each other and to the cinema overall.
– The late Bertrand Tavernier and Peter Bogdanovich, distinguished critic-filmmakers who never lost their passion for other people’s movies and film history. Both crowned their careers with invaluable chronicles of their engagement with the cinema: Tavernier with the books “50 Years of American Cinema and American Friends,” and Bogdanovich with the books “Who the Devil Made It” and “Who the Hell’s In It?”
Special Citation for a Film Awaiting U.S. Distribution: Jean-Gabriel Périot’s documentary “Returning to Reims,” which draws on Didier Eribon’s 2009 memoir about his French hometown and the inequities of class and education that shaped him and his family.
