National Society of Film Critics Awards 2022

El 7 de Enero, The National Society of Film Critics, anunció los ganadores a sus premios. En la lista en primer lugar el ganador, seguido de los dos finalistas, junto al número de votos recibido.

MEJOR PELÍCULA – TÁR (61 points)
Finalistas: AFTERSUN (49 points) NO BEARS (32 points)

MEJOR DIRECTOR – Charlotte Wells, AFTERSUN (60 points)
Finalistas: Park Chan-wook, DECISION TO LEAVE (47 points), Jafar Panahi, NO BEARS (36 points)

MEJOR PELÍCULA EN LENGUA EXTRANJERA –EO (43 points)
Finalistas: NO BEARS (37 points), DECISION TO LEAVE (34 points)

MEJOR ACTOR – Colin Farrell, AFTER YANG and THE BANSHEES OF INISHERIN (71 points)
Finalistas: Paul Mescal, AFTERSUN (55 points), Bill Nighy, LIVING (33 points)

MEJOR ACTRIZ  – Cate Blanchett, TÁR (59 points)
Finalistyas: Michelle Yeoh, EVERYTHING EVERYWHERE ALL AT ONCE (38 points) Tilda Swinton, THE ETERNAL DAUGHTER, and Michelle Williams, THE FABELMANS (27 points)

MEJOR ACTOR REPARTO –Ke Huy Quan, EVERYTHING EVERYWHERE ALL AT ONCE (45 points)
Finalistas: Brian Tyree Henry, CAUSEWAY (35 points), Barry Keoghan, THE BANSHEES OF INISHERIN (27 points)

MEJOR ACTRIZ REPARTO – Kerry Condon, THE BANSHEES OF INISHERIN (57 points)
Finalistas: Nina Hoss, TÁR (43 points) Dolly de Leon, TRIANGLE OF SADNESS (35 points)

MEJOR DOCUMENTAL  – ALL THE BEAUTY AND THE BLOODSHED (46 points) Finalistas: DESCENDANT (40 points), ALL THAT BREATHES (27 points)

MEJOR GUIÓN  – Todd Field, TÁR (61 points)
Finalistas: Martin McDonagh, THE BANSHEES OF INISHERIN (42 points) James Gray, ARMAGEDDON TIME (18 points)

MEJOR FOTOGRAFÍA – Michał Dymek, EO (62 points)
Finalistas: Hoyte van Hoytema, NOPE (37 points), Kim Ji-yong, DECISION TO LEAVE (34 points)

FILM HERITAGE AWARD
– Jeanine Basinger, one of our most esteemed and important film scholars, whose work at Wesleyan University and beyond has continually bridged the divide between Hollywood and academia, film studies and movie love.
– Screen Slate, published and edited by Jon Dieringer, an essential daily online publication that has done much to build and sustain the filmmaking, theatrical exhibition and film critical communities of New York City and by extension the world at large.
– Turner Classic Movies, for a rich array of programming that ranges deep and wide in the history of cinema, a service too easily taken for granted by audiences and worthy of the utmost care and attention from its corporate owners.