17th IFMCA Awards – Nominaciones
Premios otorgados por la Asociación Internacional de Críticos de Música de Películas.
Las nominaciones se anunciaron el 4 de Febrero de 2021. Los ganadores se anunciarán el 18 de Febrero de 2021.
Nominados:
BANDA SONORA DEL AÑO
- THE CALL OF THE WILD, music by John Powell
- ENOLA HOLMES, music by Daniel Pemberton
- FUKUSHIMA 50, music by Tarō Iwashiro
- THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
- WONDER WOMAN 1984, music by Hans Zimmer
COMPOSITOR DEL AÑO
- FEDERICO JUSID
- BEAR MCCREARY
- DANIEL PEMBERTON
- CHRISTOPHER WILLIS
- HANS ZIMMER
COMPOSITOR REVELACIÓN DEL AÑO
- ALEX BARANOWSKI
- THOMAS CLAY
- PHILIP KLEIN
- NAMI MELUMAD
- ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER
MEJOR BANDA SONORA ORIGINAL – DRAMA
- DA 5 BLOODS, music by Terence Blanchard
- FANNY LYE DELIVER’D, music by Thomas Clay
- FUKUSHIMA 50, music by Tarō Iwashiro
- NEWS OF THE WORLD, music by James Newton Howard
- THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton
MEJOR BANDA SONORA ORIGINAL – COMEDIA
- AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad
- EMMA, music by Isobel Waller-Bridge and David Schweitzer
- GODMOTHERED, music by Rachel Portman
- THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
- WILD MOUNTAIN THYME, music by Amelia Warner
MEJOR BANDA SONORA ORIGINAL – ACTION/AVENTURA/THRILLER
- THE CALL OF THE WILD, music by John Powell
- ENOLA HOLMES, music by Daniel Pemberton
- MULAN, music by Harry Gregson-Williams
- ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid
- TENET, music by Ludwig Göransson
MEJOR BANDA SONORA ORIGINAL – FANTASÍA/CIENCIA FICCIÓN/TERROR
- THE INVISIBLE MAN, music by Benjamin Wallfisch
- THE MIDNIGHT SKY, music by Alexandre Desplat
- WENDY, music by Dan Romer and Benh Zeitlin
- THE WITCHES, music by Alan Silvestri
- WONDER WOMAN 1984, music by Hans Zimmer
MEJOR BANDA SONORA ORIGINAL – ANIMACIÓN
- ANIMAL CRACKERS, music by Bear McCreary
- FEARLESS, music by Anne-Kathrin Dern
- ONWARD, music by Mychael Danna and Jeff Danna
- SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste
- WOLFWALKERS, music by Bruno Coulais
MEJOR BANDA SONORA ORIGINAL – DOCUMENTAL
- DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price
- ELEPHANT, music by Ramin Djawadi
- HARBOR FROM THE HOLOCAUST, music by Chad Cannon
- RISING PHOENIX, music by Daniel Pemberton
- SADAN HANIM, music by George Kallis
MEJOR BANDA SONORA ORIGINAL – TV
- DRACULA, music by David Arnold and Michael Price
- HIS DARK MATERIALS, music by Lorne Balfe
- LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq
- THE MANDALORIAN, music by Ludwig Göransson
- THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
MEJOR BANDA SONORA ORIGINAL – VIDEOJUEGO O MEDIO INTERACTIVO
- GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi
- MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad
- ORI AND THE WILL OF THE WISPS, music by Gareth Coker
- THE PATHLESS, music by Austin Wintory
- STAR WARS: SQUADRONS, music by Gordy Haab
MEJOR ESTRENO DE ARCHIVO DE UNA BANDA SONORA EXISTENTE – REESTRENO O REGRABACIÓN
- ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)
- THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)
- HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)
- KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch and Gareth Bevan (Tadlow Music)
- ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)
MEJOR ESTRENO DE ARCHIVO DE UNA BANDA SONORA EXISTENTE – COMPILATION
- FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)
- JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
- MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)
- VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)
- WORLD SOUNDTRACK AWARDS – TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)
DISCOGRÁFICA DE CINE DEL AÑO
- INTRADA RECORDS, Douglass Fake and Roger Feigelson
- LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
- MOVIESCORE MEDIA, Mikael Carlsson
- QUARTET RECORDS, José M. Benitez
- TADLOW MUSIC, James Fitzpatrick
COMPOSICIÓN MUSICAL DE PELÍCULA DEL AÑO
- “1984” from WONDER WOMAN 1984, music by Hans Zimmer
- “Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell
- “Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
- “Symphonic Suite F – 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro
- “Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer
